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Orifice
2021-2023
Immersive installation
4.5 x 10 x 3 m
Wallpaper, thread, lamps

In the immersive installation Orifice wallpaper is explored as medium and agent. Through the motion of sewing wallpaper by hand an eerie architecture is constructed in which stitches come to resemble patched skin. This spatial work disintegrates the domestic as it is suspended between comfort and horror. The corridor enacts a liminal bodily orifice that was influenced by the gothic literature of Charlotte Perkins Gilman’ The Yellow Wallpaper which isolates wallpaper as agent of chaos and symbolizes a retrieval of power.

Monochromatic texture, ominous patterns, and the architectural uncanny merge in a fascination for the agency of the objects surrounding us in a spatial site. Wallpaper is approached as a body, a dynamic and complex organism. It is a dissembler; a medium that openly misleads by transforming and reconstructing spaces. This leathery skin that hides the bones and skeletal of rooms turns from a static surface into an ominous agent. The first iteration of this piece was presented during my residency at DOOR Foundation in 2021 and the second iteration at the graduation show of the Royal Academy of Arts.



Orifice, immersive installation, 2021-2023
Photography by Charlotte Brand



Orifice, immersive installation, 2021-2023



Orifice, immersive installation, 2021-2023
Photography by Paulina Winiarska


Orifice, immersive installation, 2021

DOOResidency curated by Aleksandra Wojt
Photography by Paulina Winiarska


Orifice, immersive installation, 2021

DOOResidency curated by Aleksandra Wojt 
Photography by Paulina Winiarska



Orifice, immersive installation, 2021

DOOResidency curated by Aleksandra Wojt 
Photography by Paulina Winiarska



Orifice, immersive installation, 2021-2023
Photography by Paulina Winiarska